Cover image
Cover: This image is a composite of two different life stages of the hydrozoan jellyfish Clytia hemisphaerica; medusa (top), which releases gametes daily in a light-dependent manner, and vegetatively growing colonial polyp (bottom). An improved whole-life cycle culture protocol has been developed to use it as a developmental genetics model, and is described by Lechable and colleagues in this issue. Photos are taken by Alexandre Jan and Marion Lechable. Image licensed under a Creative Commons Attribution 4.0 International license.
This issue
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Biology Open and COVID-19
We are aware that the COVID-19 pandemic is having an unprecedented impact on researchers worldwide. The Editors of all The Company of Biologists’ journals have been considering ways in which we can alleviate concerns that members of our community may have around publishing activities during this time. Read about the actions we are taking at this time.
Please don’t hesitate to contact the Editorial Office if you have any questions or concerns.
Future Leader Review – Unchartered routes: exploring the relevance of auxin movement via plasmodesmata
We have been delighted with the response to the launch of Biology Open’s Future Leader Review articles. Read Andrea Paterlini’s Review, which discusses the relevance of auxin transport via plasmodesmata in plants and find out how to submit a proposal.
A history of Open Access publishing at The Company of Biologists
Biology Open launched as an Open Access journal in 2011, but did you know The Company of Biologists' Open Access journey started 16 years ago?
First person interviews
Did you know we publish interviews with first authors? They're a chance to go behind the scenes of our research papers, find out the potential implications of results and get to know the early-career researchers that are the biologists of the future.
preLights - From flying aces to soar losers
A new preprint by Goto et al. predicts that not all giant extinct fliers were equally skilled in the air. In a new preLight, Sophia Friesen reflects that the preprint made her reconsider the huge amount of work that goes into CGI reconstruction of extinct creatures.